Over, the kite’s flight; and of a sudden
is the realization of the morning overcome
by the echo of dark nights, silent witness
to the colorlessness crouching down before us.
Stealing time is what’s been happening all the time.
Is it because you’ve heard only your own cries,
fifty years earlier, too, as they went by, adulterated with death?
Or some shy, crumpled laughter carrying with it
the air of an unspoken but certain defeat?
Somewhere in my mind, I lose the ability
to disappear, as the morning air moves listlessly about,
indifferent to looks, or history, or roots. And here
if I died, like this, dying for the person I was,
or for the one I see coming in and out of your death,
would that be a way out to save me
from the solitude I’ve believed in and pursued
in the same way I pursue the rush of blood in my veins?
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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