It rises from the North Atlantic’s stacks
as radio silence, a generalized lack
of discursive tone or narrative movement distinguished
by its density. A mob of spirits enacts freedom of assembly
under a Carmelite aegis. Friendly, to a point; but no
rhythm. The fight goes out of us, high beams
make it worse. Our dissent voiced simply in the way
we’re put together, in claims to an ill-defined
sixth sense—clairvoyance, gaydar, sensitivity to the dead
and their unending list of grievances—
staring into the infinite regression of our inabilities.
Everything to the right resembles everything
to the left, GPS prompts ring hollow though we were so close
once. Unimaginable speed behaving like stillness.
A confused dream the land entertains. Lay down
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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