These poems, which are drawn from a larger number of unpublished manuscripts and typescripts in the Delmore Schwartz papers at Yale University’s Beinecke Library display the poet’s styles both early and late in his writing career.
“Sonnet,” dated 1938, is a good example of his earliest work, which took Eliot and Yeats as models. Compact, rhyming, and formal, the poems attempted to mythologize Schwartz, to dramatize history, and to pay homage to the world of culture.
I follow thought and what the world announces
I lean to hear, and leaning too far over,
Fall, and babied by confusion, cover
Myself in drowse, too tired by such bounces.
But in sleep are dreams across zigzagging snow
Descending quietly and slow, like minutes,
And on this peace the soul again begins its
Rhetoric of desire, older than Jericho,
And rails once more, like birds of early morning
Urchinous on branches and like newsboys,
“Extra, this is the meaning of life,
Here is the real good, beyond all turning,”
Till night goes home, astonished by such cries,
I wake up, and, to feel superior, I laugh.