The Art of Fiction No. 177
“I’m gregarious with writers and never with manuscripts . . . I [like to] create the illusion of seamless perfection, so I alone know the flawed homely process along the way.”
“I’m gregarious with writers and never with manuscripts . . . I [like to] create the illusion of seamless perfection, so I alone know the flawed homely process along the way.”
Earliest memory: father tripping on strewn toys, hopping with toe outraged, mother’s rolling eyes. For my father had toys himself. He once brought a traffic light home to our apartment on the thirty-somethingth floor of the tower on Columbus Avenue.
Context is everything. Dress me up and see. I’m a carnival barker, an auctioneer, a downtown performance artist, a speaker in tongues, a senator drunk on filibuster.
Conspiracy is a truly American motif, since ours is a nation conceived—rigged up from available parts—by a gang of slave-owning freedom fighters whispering in candlelit rooms, exchanging frantic drafts of improbable manifestos.
Editing Don Carpenter’s final manuscript.Part of my job as a clerk at Berkeley’s great used bookstore Moe’s, in the early nineties, was to scour the massive wall of fiction and confront the books that weren’t selling. Out of all the staff I cla…
1. Her Voice in the Night. The disc jockey broadcasts all night from the lighthouse. She back-announces her selections in a murmuring, insinuating tone that, while it wouldn’t disturb a sleeper, might seduce the long-distance trucker or the fisherm…